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Update documentation links for EP-133 audit files

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Victor Giers
2026-07-14 00:28:58 +02:00
parent a52632924d
commit da8aca596f
2 changed files with 5 additions and 5 deletions
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docs/research/ep133-musician-audit/LIVE10_TRANSLATION_AUDIT.md
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@@ -56,8 +56,8 @@ The current Arrangement cannot be used to judge the intended track form. It woul
| A1/A2 and C1/C2 share a WAV but have different sound design | Each pad gets its own Simpler and settings; the WAV is deduplicated on disk. | Represented structurally |
| C9–C11 are trims of one phrase | Independent tracks receive pad trim values. The parser currently ignores the fourth trim-length byte, so sufficiently large regions can be wrong. | Partial/bug |
| A8/C6 retain lower sample rates and stereo state | PCM is reconstructed using the sample's channel/rate information. TE-specific WAV metadata are stripped, but the audible PCM should remain. | Mostly represented |
| Pad AMP is independent from Group LVL | `pad.volume / 200` becomes child-track amplitude; group LVL is placed separately. | Represented structurally, response approximate |
| AMP 150 accent versus AMP 100 main kick | Live receives 0.75 versus 0.5 linear amplitudes. The EP transfer law and output-compressor interaction are not reproduced. | Approximate |
| Pad AMP is independent from Group LVL | `pad.volume / 200` becomes the child track's normalized Live mixer Volume value; group LVL is placed separately. | Represented structurally, response approximate |
| AMP 150 accent versus AMP 100 main kick | Live receives `0.75` versus `0.5` as mixer Volume parameter values. The raw-to-control normalization is linear, but neither Live's control law nor the EP transfer/output-compressor interaction makes that a proven linear acoustic gain match. | Approximate |
| Pad pan | Converted to a normalized panorama value. | Represented, law uncalibrated |
| Negative fractional pitch C2/D10 `-0.09` | Parser constructs a decimal string and currently decodes this incorrectly; slot-level `sound.pitch` may also be added a second time. | Incorrect/bug |
| Attack/release | Written to Simpler envelopes using sample-length-based heuristics rather than measured EP timing. | Approximate |

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docs/research/ep133-musician-audit/README.md
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@@ -8,9 +8,9 @@ It deliberately does not propose code changes. It supplies a musical reference p
## Files
- `MUSICIAN_WORKFLOW_INVENTORY.md` describes how a musician can build and perform an EP-133 project and separates saved project state from rendered audio and live-only gestures.
- `IMAGINARY_PROJECT_NEON_LAUNDROMAT.md` specifies one coherent imaginary project in enough detail to act as a translation oracle.
- `LIVE10_TRANSLATION_AUDIT.md` asks whether the current group-track Live 10 export represents every decision in that imaginary project.
- [`MUSICIAN_WORKFLOW_INVENTORY.md`](./MUSICIAN_WORKFLOW_INVENTORY.md) describes how a musician can build and perform an EP-133 project and separates saved project state from rendered audio and live-only gestures.
- [`IMAGINARY_PROJECT_NEON_LAUNDROMAT.md`](./IMAGINARY_PROJECT_NEON_LAUNDROMAT.md) specifies one coherent imaginary project in enough detail to act as a translation oracle.
- [`LIVE10_TRANSLATION_AUDIT.md`](./LIVE10_TRANSLATION_AUDIT.md) asks whether the current group-track Live 10 export represents every decision in that imaginary project.
## The three kinds of musical truth